ORIGINAL

SONY

SONY DSR-390

DVCAM Professional

PROFESSIONAL SET

bestehend aus 7 Komponenten

• 1. Camera: SONY DSR-390 DVCAM Professional
• 2. Lens (Objectiv ) : Canon Fujinon Zoom Lens S17x6.6BRM – 38B (-114mmm)
• 3. Viewfinder : SONY DXF-801 mit Kameramikrofon

  4. Stativ: CARTONI

• 5. Stativkopf: MANFROTTO 510
• 6. Kabel CCU: 25 Meter -26 pin CCU Video Multi Camera Kabel AWM E35664 Hirakawa Japan VW-1 80C CCZ

  7. CAMERA CONTROL: Camera Control Unit SONY CCU-D50 mit SDI Option - 26 Pin CCZ uaf DSR-370P & 390

Allgemeines Stromversorgung 220 bis 240 V Wechselspannung, 50 Hz Stromaufnahme 0,8 A Spitzeneingangsstrom (1) Power ON, Stromprüfmethode: 20 A (240 V) (2) Einschaltstrom, gemessen nach Europäischem Standard EN55103-1: 12 A (230 V) Maximale Nennbelastung der Kamera 4 A, 13 V (empfangsseitig) Betriebstemperaturbereich 5 bis 40°C Lagertermperatur –20°C bis +55°C Abmessungen (B/H/T, ohne vorstehende Teile) 424 × 88 × 283 mm Gewicht Ca. 6,5 kg Ausgangsbuchsen VBS OUT 1/2 BNC-Typ (je 1) VBS: 1,0 Vss, negative Synchronisierung, 75-Ohm, asymmetrisch S VIDEO Mini-DIN 4pol (1) Y: 1,0 Vss, negative Synchronisierung, 75-Ohm, asymmetrisch C: 0,286 Vss (Burst), keine Synchronisierung Y/G/Y, R–Y/R/C, B–Y/B BNC-Typ (je 1) (umschaltbar) R, G, B: 0,7 Vss, 75-Ohm, keine Synchronisierung Y: 1,0 Vss, negative Synchronisierung, 75-Ohm, asymmetrisch R–Y/B–Y: 0,525 mVss, 75-Ohm, asymmetrisch Y: 1,0 Vss, negative Synchronisierung, 75-Ohm, asymmetrisch C: 0,286 Vss (Burst), keine Synchronisierung SYNC OUT BNC-Typ (1) 0,3 Vss, 75-Ohm, negative Polarität MONITOR OUT BNC-Typ (1) VBS: 1,0 Vss, negative Synchronisierung, 75-Ohm, asymmetrisch MIC OUT XLR 3pol, Steckerkontakt (1) SDI OUT 1/2 BNC-Typ (je 1) 0,8 Vss, 75-Ohm, 270 Mbps Ein-/Ausgangsbuchsen GENLOCK IN/OUT BNC-Typ (je 1) VBS: (1,0 Vss) oder Schwarzsynchronsignal (0,45 Vss) mit 75-Ohm- Abschlußschalter CAMERA Z-Typ, 26-Stift (1) TALLY/INTERCOM/AUX 15-pol (1) INTERCOM Minibuchse (1) SDI IN BNC-Typ (1) 0,8 Vss, 75-Ohm, 270 Mbps REMOTE 10pol (1) RETURN VIDEO IN/OUT BNC-Typ (je 1, durchgeschleift) VBS: (1,0 Vss) mit 75-Ohm- Abschlußschalter PROMPTER VIDEO IN/OUT BNC-Typ (je 1, durchgeschleift) VBS: (1,0 Vss) mit 75-Ohm- Abschlußschalter Einstellbare Parameter Blende Automatisch/manuell Weißabgleich Automatisch/manuell/ Voreinstellung R/B-Komponentenpegel einstellbar Schwarzabgleich Automatisch/manuell R, B Schwarzpegel einstellbar Videoverstärkungspegel Hauptschwarzpegel Kniepunkt Automatisch/manuell/ Voreinstellung Detailpegel Elektronische Verschlußzeit Clear Scan Wahl des Videoausgangssignals Kamera/Farbbalken

Tally-/Intercom-Pegel SC-Phase H-Phase Kabelkompensierung

The Sony DSR-390 is the 1/2-inch CCD professional camcorder for serious industrial shooter, event videographers, and even low budget digital filmmakers.

For a truly professional camera it is light in weight and easy to use. Advanced features include low-light and bright-light sensitivity, easy to master menu systems, custom picture settings with memory, sophisticated exposure controls and it can even power an on-camera sungun . The camera has a 6-pin Firewire connector that will allow you to connect to an outboard hard-disk or directly to a non-linear edit system.

DVCAM Digital Component Recording

Sony's professional format DVCAM uses the common 6 millimeter tapestock to record 8 bit component video with 5:1 compression and 4:1:1 sampling for super high quality, multi-generation capability and production flexibility.

Power HAD CCDs

The DSR-390 integrates three 1/2-inch Interline Transfer (IT) type CCDs to deliver 800 lines of resolution. These CCDs deliver a wide dynamic range of 65 dB, they are very sensitive to low light levels with f/13 @ 2000 Lux specification. A highly advanced vertical smear number of (-)115 dB that gives true colors and good contrast even when shooting directly at a bright object.

TruEye Process

One function of the DSR-390's Digital Signal Processor is the TruEye system. TruEye processes brightness, hue, and saturation data that can be customized to your individual requirements. Especially useful in extreme lighting conditions with areas of dramatic contrast TruEye achieves more natural skin-tones and other more realistic subtle color representations.

Dyna -Latitude Contrast Processing

A sub-feature of the TruEye processing is Dyna -Latitude. By managing the contrast of each pixel compared with those around it, the DSR-390 more efficiently utilizes the dynamic range of the video signal. This feature allows for control over scenes with wide exposure ranges. As an example exposing for a dark portion of a scene doesnâ¿¿t have to overexpose the brighter portions.

Pre-Programmed Lighting Set-Up Files

Most industrial shoots occur using standard lighting packages or in natural daylight. The DSR-390 has 5 preset lighting values including standard, high saturation, fluorescent, film-look, and low resolution-look to refer to quickly. 3 additional user files allows custom set parameters for special conditions and custom looks.

Advanced Menu Set-Up Parameters

Custom set-up parameters for special shooting conditions or custom looks are logged on a special place on the DVCAM cassette called VAUX (video auxiliary). In situations of reshooting or matching existing footage, checking the VAUX will give a great head start for re-creating previous shots. The 10 parameters that VAUX log include:

·  Master Black

·  Stretch

·  Detail Level

·  Vertical Detail Level

·  Master Gamma

·  Detail Frequency

·  Saturation

·  Hue

·  Skin Saturation

·  Skin Hue

Dramatic Looks From Critical Color Temperature Adjustments

The DSR-390 like all professional video cameras has internal color correction filters for common lighting situations. The quantum improvement here is now critical adjustments for real-world results are possible.

When shooting under artificial lighting the 3200 K filter wheel is correctly chosen. But the fact is 3200 K is just an estimate as to what color temperature indoors might be. Now you have the ability to correct using 19 steps between 2200 K and 4300 K. When shooting under natural daylight, you have 13 steps from 4600 K to 12000 K within the 5600 K filter-wheel. Very dramatic sunsets or very stark cold interiors can be achieved quite easily with the viewfinder menu selections. And the values can be recalled just by choosing the filter position.

i.Link (IEEE-1394) FireWire

Commonly called Firewire , IEEE-1394 or i -Link, the industrial 6-pin connector allows the DSR-390 to input or output DVCAM video. Consumer DV format may be output only. The digital connector also integrates into most non-linear environments, interfaces with any Sony DVCAM VTR, or accesses machine control by any controller equipment with similar connectivity.

26-Pin Component Interface

The DSR-390 is ready to integrate into a sophisticated multi-camera, multi-user, multi-location, customizable video-look system. The 26-pin connector on the back of the camcorder does many jobs. It can supply power to the camera, output analog component video (like BETACAM SP), and connect to camera control units(CCU) to give special looks or match colors with other cameras. A popular choice for CCU would be the CCU-TX7 or the RCP-TX7 paintbox . There is now a full digital camera control system headed by the CCU-D50.

Studio Configuration

Adding a studio viewfinder, the DXF-51 is a good choice, the DSR-390 is almost ready for studio work. The CA-370 studio adapter gives the camcorder intercom capability. Very long cable runs up to 300 meters will send video out and receive program (return) video through the viewfinder. Place the camera in a system with a remote camera control unit and start custom picture looks or match multiple cameras for 10 picture-look parameters.

SONY DSR-390

DVCAM Professional

Einer der zuverlässigsten DV-Cams weltweit.

7 TOP-QUALITÄTSPRODUKTE

LIEFERUMFANG und ZUSTAND:

7 Komponenten  - sehr guter Zustand !!

( siehe Fotos – der Lieferumfang umfasst ALLES, was auf den zahlreichen Bildern zu sehen ist )

Die Geräte funktionieren einwandfrei.

VERSAND VERSICHERT in 6 Paketen !!

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